![]() His ideas about piano playing (facilité "lightness", rejection of the percussive "knocking" stroke, model of singing, the so-called bel canto in agogic and articulation, rejection of mechanical practice without musical commitment, use and training of the fingers according to their natural physiological conditions instead equalizing finger drill) are still considered fundamental in piano pedagogy today. His piano playing and his work as a teacher were regarded as extraordinary because of the expansion and use of the technical and tonal possibilities of the instrument, the sensitivity of the touch, the innovations in the use of the pedals and in the fingering. Soon he realised that his destiny was aimed for piano compositions and with the exceptions for the piano concertos, the chamber work listed here and the 4:th Sonata in op.65 (which I have put under Sonatas), Chopin composed solely for the piano. Even during his lifetime, Chopin was considered one of the leading musicians of his time. His innovations in all elements of the composition (melody, rhythm, harmony and forms) and the inclusion of the Polish musical tradition with its emphasis on the national character were important for the development of European music. Here he developed his skills in free improvisations on the piano, which often became the basis of his compositions. The atmosphere of the Parisian salons, in which Chopin frequented, had a formative influence. Chopin's compositional style is influenced by Polish folk music, the great masters such as Johann Sebastian Bach and Wolfgang Amadeus Mozart, but especially by the bel canto style of contemporary Italian opera. From 1831 until his death on October 17, 1849, he lived mainly in France. His father was French, his mother Polish. He was born on Main the village of Żelazowa Wola, in the then Polish Duchy of Warsaw. The third and final version of the Transcendental Études was published in 1852 and dedicated to pianist and composer Carl Czerny, Liszt’s piano teacher, who was also a prolific composer of études.Frédéric François Chopin (Polish: Fryderyk Franciszek Chopin) was a composer, pianist and piano teacher. They cover a wide range of moods and require mastery of a variety of virtuosic techniques. ![]() The Transcendental Études are a set of twelve highly varied and technically demanding compositions that pushed contemporary pianos (and pianists!) to the limit. Listen to the Best of Liszt on Apple Musicand Spotify. Scroll down to discover our selection of the best Liszt works featuring ten masterpieces by the great composer. The Piano Sonata In B Minor (1853) is generally acknowledged to be Liszt’s masterpiece and is a model of his technique of thematic transformation, which is also prominent in the symphonic poems. His piano works, including the Études, the Hungarian Rhapsodies, and the Mephisto Waltzes, are brilliant showpieces requiring both technical skill and expressivity. He also composed and performed orchestral music, including symphonic poems. Liszt made superb piano transcriptions of symphonies, operas, and large orchestral works of other composers, including Beethoven, Berlioz, Mozart, and Wagner. ![]() The most decisive influence, however, came from the virtuoso violinist Nicolò Paganini who inspired him to become the greatest pianist of his day and to push piano technique through previously unimagined difficulties to attain new brilliance and sonorities. Liszt was a friend of many important composers of his time, including Frédéric Chopin, Hector Berlioz, Camille Saint-Saëns, and Richard Wagner. He is best known for his virtuoso piano compositions which are amongst the most technically challenging in the repertoire. Franz Liszt was a Hungarian virtuoso pianist and one of the most important composers of the Romantic era. ![]()
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